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Type of print | Fine Art Print - 9-color Giclée with non-toxic water-based Epson Ultracrome inks for Fine Arts indoor use. Intense colors and homogeneous shades in full respect of the original work. |
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Poster | Fine Art 180 gsm anti-glare matt paper shipped in a sturdy cardboard tube (no creases) |
Tela | 380 gr 100% pure cotton |
Canvas frame | Smooth planed plywood frame 2 cm thick x 4.5 cm wide (standard),Smooth planed plywood frame 3.5 cm thick x 4.5 cm wide (gallery) |
Borders of the Canvas | Printing continues on the border with reflection pattern (standard) or Colored Edge of your choice in the menu for a personalized finish similar to a modern frame. With hooks ready to hang. |
Board | Panel in MDF (Medium Density Fibreboard): Poster glued on wood fiber panel by press, 1.6 cm thick, beveled with retractable hook on the back. The edge of the table is painted black. Ready to hang. |
Optional brushstroke effect | Paint on canvas, canvas and board. Thick transparent varnish applied by hand with the help of brushes. Final effect similar for finishes to an oil painting with textured brushstrokes in relief. |
Packaging | Customized packaging for each type of product: frameless canvas and posters will be shipped in sturdy cardboard tubes (no creases to the product) Framed canvas and boards are protected by shockproof material and placed in sturdy corrugated cardboard boxes. |
Stampa Fine Art di qualità museo in altissima risoluzione ottenuto da file in Gigapixel su Tela Canvas in puro cotone, poster in carta fotografica satinata da 200gr o pannello in legno mdf dallo spessore di cm 1,6. Riproduzione artigianale della “Second Story Sunlight” di Edward Hopper, nel pieno rispetto delle misure proporzionali dell'opera originale. La tela utilizzata è in puro cotone da 380 gr/mq unita agli inchiostri di stampa a base di pigmenti naturali tipiche della stampa Glicee, offre uno straordinario assorbimento dei colori offrendo una gamma cromatica vivida con sfumature omogenee e naturale alta resistenza nel tempo senza sbiadire. ShopArt offre diverse personalizzazioni delle stampe su tela, tra cui lo spessore del telaio, in vero legno, dallo spessore standard di cm 2 oppure telaio spessore cm 4 versione galleria. Inoltre, per l’inserimento nel tuo ambiente, puoi scegliere un colore per il bordo del telaio con effetto cornice tra noce, cilegio, Wengé, bianco, nero, rosso, blu, e il più recente giallo oro. Pur trattandosi di una ottima stampa, per renderla unica ed ancora più emozionante, per le nostre riproduzioni su tela e stampa su pannello in legno, consigliamo l'applicazione della Vernice Effetto Pennellate, creata esclusivamente da ShopArt proprio per dare un aspetto ancora più “vero” alla Tua opera, come se fosse stata dipinta esclusivamente per Te; infatti verrà stesa a mano dai nostri artigiani con l'ausilio di pennelli per un effetto finale materico simile ad un dipinto ad olio in quanto le pennellate sono visibili sia ad occhio che al tatto. Siamo differenti rispetto agli altri, ma lo siamo per l'amore in quello che facciamo, e le emozioni che riceviamo le vogliamo condividere con Te, che ami l'arte come la amiamo noi. Questa è ShopArt !
Second Story Sunlight is an oil on canvas dated 1960 painted by the American artist Edward Hopper and kept in New York at The Whitney Museum of American Art. Framework with strong contrasts between light and shadow the painting shows a raised floor with a typical American house with high sloping roofs. In this sun-drenched veranda there are two female figures, the youngest in a bathing suit sitting on the windowsill looks with longing for the sunlight, and an old woman sitting against the wall of the house with her eyes bent over a piece of paper intent on to read. On the right to frame tall dark trees of a forest. Second Story Sunlight is an ambiguous framework. The second floor in the sun is not just about the house, but about the two figures in the veranda, where youthful dreams and drives crash against the wall of everyday life's flat routine. The Second Story Sunlight print on canvas brilliantly reproduces all the chromatic relationships present in the original work. The strong contrasts between light and shadows on the houses are printed on canvas without losing the connotations of the original painting painted by Hopper. The brushstrokes present in the shadows and in the areas affected by the sun, are reproduced faithfully thanks to the fine art printing technology called Giclée, which makes use of eight colors against the four traditional offset printing. To the printing on canvas of Hopper, Second Story Sunlight, one can add the paint effect brushstrokes stretched by hand with the help of brushes. This particular varnish, transparent and not toxic has the characteristic of leaving the mark of the striking brushstrokes visible both to the eye and to the touch like real oil paintings. For the insertion in the Shopart environment, a colored border chosen by the customer is proposed for the edge of the canvas frame. This colored border acts as a frame and helps to insert the picture even in environments characterized by contemporary design.
A. Cilia
Artist | Edward Hopper |
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Title | Second Story Sunlight |
Original size | cm 101,9 x 127,4 |
Main color | No Color |
Layout | Landscape |
Size | 15 x 18, 20 x 24, 30 x 36, 40 x 50, 50 x 60, 60 x 70, 70 x 85, 80 x 100, 90 x 110, 100 x 120 |
We have three types of printing: Poster, Canvas, Wood panel.
Poster are printe on double matte poster paper 260 gr
Canvas is 280 gr
Wood panel are sono in mdf with a a thickness of 2 cm
The measures are expressed in cm. We recommend measuring at home the dimensions reported to realize the real dimensions of the print to be purchased compared to the wall where you intend to use.
Poster example
Only printed canvas example
Print on canvas with frame ready to hang example
Print on MDF board ready to hang
3.5cm frame example
2cm frame example
Stamped border canvas example
Colored border canvas example
Non-toxic transparent paint specially designed for Shopart, it is applied by hand with the help of brushes and has the characteristic of leaving the mark of the brushstrokes in relief like real oil paintings. Visible both to eye and to touch.
Click here for more informations
Without brush paint effect example
With brush paint effect example
Without brush paint effect board
With brush paint effect board
Poster
Canvas without frame
Canvas with stamped frame
Board
Canvas with black frame
Canvas with red frame
Canvas with white frame
Canvas with light blue frame
Canvas with cherry frame
Canvas with walnut frame
Canvas with wenghè frame
Canvas with yellow gold frame
Canvas with antique pink frame
Canvas with blue frame
Canvas with green frame
Canvas with antique red frame